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Tuesday, November 30, 2010

My Fifth NaNoWriMo Victory!


It's official: I've just won my fifth consecutive NaNoWriMo! You can see my word count in the NaNo word count widget to the left. Come to think of it, I should have inserted the widget into the sidebars of this blog and my project blog. I realized this when I put another counter widget in that place. Next year, I'll know better.

Next comes NaNoFiMo (National Novel Finishing Month). My goal: finish Spanner book 1 or write 50,000 words, whichever is more. I haven't written much since I won NaNo about a week ago (I reached 50,000 words on the 22nd and the word count validator bot made it official on the 25th), so this counts as another good excuse to get writing again. This will be my fourth FiMo, but I'll be going for my first win — significantly, writing a novel other than my '07 NaNo novel, Bad Company. I'll post my progress toward completion on the project blog.

A NaNo winner who wants his novel published can't rest on his laurels. I'll get back to writing soon.

Friday, November 26, 2010

Blog Maintenance: November 26, 2010

What better way to procrastinate NaNoWriMo than to redo all your blog templates and then edit the posts accordingly? Now this blog, my project blog, my opinion blog, and my Posterous blog now look different than they used to. I'd even say the three Blogger blogs look a hell of a lot better than they did, now that I've updated their templates.

The reason I did it is because my Blogger templates were simply broken. I'd customized them for expandable posts and Twitter, Facebook, and Google Buzz share buttons long before Google gave Blogger its own. As directed, I'd copied the code off the customization blogs and pasted it into my own blog templates. It worked for a while. No longer. Upgrading was necessary.

Sometimes you just have to give up the old ways and join the modern world. I felt that way when upgrading my blogs. The old templates no longer worked. Now I find my Blogger blogs load faster than they did. Now it's the Posterous blog that takes a long time loading — but that may just be because I posted so many videos from YouTube and Archive.org.

One thing I noticed is that I made posts expandable that most people would consider too short. Early on, I was all but infatuated with the expandable post, to the extreme of making even two-paragraph posts expandable. I've grown out of that little neophyte vice. I've edited all the short posts on the Blogger blogs so that they're no longer expandable. I reserve that now strictly for the long posts.

In short, an attempt to fix my project blog quickly turned into a major blog overhaul. I guess I knew a serious change was in order...

Saturday, October 30, 2010

Reading: The Advanced Genius Theory by Jason Hartley

Yesterday, I rode the bus around town and made a few stops (library, mall) to distract myself from writing too much as NaNoWriMo approaches. At the downtown library I idly scan the "new books" section and come across one that catches my eye. It's called The Advanced Genius Theory, by one Jason Hartley. Being a genius myself, I picked it up. Turns out the "theory" deals with the decline of great artists (its two primary examples are Bob Dylan and Lou Reed) without actually explaining it as decline. I checked it out from the library, and it became my bus reading for the day.

Hartley's "Advanced Genius Theory" attempts to explain apparent decline. The conventional assumption is that a genius has a hot period, then a high point, and then goes into decline and can be safely ignored in favor of the next hot young thing. Why the apparent decline? asks Hartley. Because the genius has Advanced far beyond the ability of his fans to understand and appreciate what he's doing — and this goes double for the early fans. Chuck Klosterman (whom Amazon.com credits with being the book's coauthor despite having only written the foreword, because he's more famous than Hartley) offers a concise introduction to the theory in his 2004 Esquire article. As Klosterman sums it up (and Hartley himself quotes this): "When a genius does something that appears idiotic, it does not necessarily mean he suddenly sucks. What it might mean is that he's doing something you cannot understand, because he has Advanced beyond you."

Wednesday, October 20, 2010

In Which I Break My Media Silence, Post-AugNoWriMo

After I failed to win AugNoWriMo earlier this year, I spent nearly a month almost completely offline. Or at least avoiding my social media accounts except maybe an occasional visit to Twitter, and not blogging at all about anything. And now NaNoWriMo approaches, and I find myself in a sort of non-WriMo Panic Time. So here I am.

I have an explanation for my absence. Occasionally I find something that really obsesses me. This time around, it was something called the TV Tropes Wiki. I was always the kind of kid who got lost in encyclopedias, and I've gotten lost in Wikipedia numerous times. I got lost in TV Tropes for two full months, not writing any actually story words but merely listing (in a now massive Microsoft Word document) all the tropes (read: memes) that fit Spanner. I've got enough of an understanding of both the tropes and TV Tropes that it'll no longer distract me from writing my book.

Which reminds me: I need to update my NaNo profile now...

Wednesday, August 4, 2010

Now My Blog Posts Are Expandable!

I'd heard in recent months that Blogger would be premiering a new built-in expandable post method. Until now, my Blogger blogs used a custom method for expanding posts. I'm not going to bother to link to any pages or blog posts on the old custom method because that method's now obsolete. If I want to make a blog post expandable, all I have to do now is type, while I'm in "Edit HTML" mode:

<!--more-->

And then to read the whole post, click on these words on the main blog page:

Read more »

One thing this new method makes possible is short posts that don't have to expand at all, like the unexpandable posts on my Posterous blog. Expanding posts become an option, not a necessity.

Needless to say, this means that I'll be doing some serious housekeeping on my blogs. I've started editing my blogs' templates to remove the old custom expandable post method, and then editing all the entries so that they expand the new built-in way rather than the old custom way. And, of course, I'll be adding some stuff and getting rid of other stuff, updating my blogrolls, and so on. I've already started with my project blog; I've switched that blog to the new expanding post method and am editing all the posts accordingly. While I'm at it, I'm setting up a few Pages on that blog, mainly lists of links including the tables of contents to my novels and short story collections. And that will send me back to my project site, which I'll update for the first time in — how long was it? A long long time, I'm guessing. I'm writing some short stories, and I'll be posting some of them there.

And all this work comes at the beginning of AugNoWriMo... *sigh*

Wednesday, June 30, 2010

JulNoWriMo Starts At Midnight...

...and Ms. Plotbunny and Mr. Pac are ready for me.

I usually have trouble starting these WriMo things. That was not true last November for my best NaNoWriMo ever. After a few months' rest following this year's FAWM, I'm just as ready for JulNoWriMo. And it starts at midnight tonight.

I'll have to keep my muse restrained till then. She simply won't shut up...

Tuesday, June 22, 2010

Good Riddance Juneuary: Summer Finally Comes to Seattle

As I noted last entry, the Northwest has been groaning under gray weather this month. We got so sick of it, we called it "Juneuary". Well, one day after the official start of summer, summer has finally arrived in my corner of the country. Juneuary is over, and good riddance.

I've gotten so used to the dreary weather this month that I'm actually not ready for summer yet. It'll take me perhaps a couple weeks of sweating bullets in 75° weather before I adjust to it. Some of my neighbors are glad they can finally go outside in bikinis. I'm just relieved I no longer have to wear a jacket. I'll have to start seriously thinking about increasing my workouts so I won't be embarrassed by my physique...

Now to get out into the good weather. I might even take pictures and post them...

Monday, June 21, 2010

Juneuary!

The sun's out over Seattle right now, kinda. But for most of this month, the Northwest weather has been dark, dreary, cold, and sometimes rainy. Hell, Alaska's had three 75° days, and Seattle's had none! The local news media and the social networks have coined a new term for our unseasonable late-winter weather: Juneuary.

I, for one, never figured I'd be going outside with a jacket on. I thought I'd be sweating bullets like I normally do this time of year. Where'd my early-summer weather go? This is the first day of summer, but it still feels like early spring.

All the weather forecasters are predicting that summer will finally come to the Northwest tomorrow. That's why I wanted to get this post out of the way now. I'm crossing my fingers. Summer had better come soon, or I'll get seriously annoyed. I'm tired of Juneuary.

Friday, May 21, 2010

Enemies: How You Make Them, How You Keep Them, and How You Can Lose Them

Yesterday, I managed to turn a potential friend on Twitter into a sworn enemy with a glaring error of knowledge I didn't see, my big fat "Mr. Know-It-All" ego, and a misfeature in TweetDeck. I'm not blaming anybody, not even TweetDeck (though I'll bug them on Twitter till they squash that bug), though I'm at fault in the technical and legal sense used of car wrecks. Now that I'm recovering from the resulting cat scratch fever of the ego, I have let go of the anger and forgiven this person, and I will continue to apologize to her, especially when asked. So now I feel I can write about the problem I have now become all too aware of.

It's far too easy to turn a friend into an enemy on the Internet. That's because there's a whole lot less information in an all-text conversation than there is in a face-to-face encounter or even a telephone call. Emoticons were invented to deal with this, but even these fail all too often. Sometimes you think you're being nice when the other person suddenly declares they hate you, seemingly out of the blue, simply because they misunderstood what you were saying. This is a big danger even when people are close together and talking directly to one another. It's ridiculously easy to even turn the love of your life into your worst enemy: all it takes is one click, the one that changes your Facebook relationship status from "in a relationship" to "single" or even "it's complicated".

Monday, April 26, 2010

Stephen Hawking and the Evil Space Aliens, Part 2: The Menace from Earth

The Articles:
Do Aliens Exist? Will They Kill Us? (Discovery News)
The Alien Menace! (Justin Raimondo, Antiwar.com)

This is the follow-up to this entry. In the Discovery News article, Ian O'Neill says in answer to Stephen Hawking's warning that we may have already doomed ourselves with our ancient transmissions. Conversely, an alien civilization may try to destroy us because of our attempts to conquer the universe. But Antiwar.com's Justin Raimondo says Hawking may really have been speaking in science fiction about the alien invaders that already exist on Earth. Namely, the American Empire and the corporations that own it. Raimondo says of Hawking's description of the space-pirate menace: "That sounds like our ruling class, all right, and it's certainly no surprise they're extending their hubris into outer space."

For all the criticisms of his derivative script and new-agey "noble savage" sentimentalism, James Cameron struck a sore point when he made the villains of his ultra-popular movie Avatar (DVD, Blu-Ray) a resource extraction corporation and it hired mercenary marine army. THIS is what Hawking's talking about! O'Neill has precisely this in mind when he says alien civilizations we contact are more likely to destroy us because we're the aggressive colonizers. The American establishment hates Cameron because he depicts the alien menace (on Pandora, that would be the savage earthlings) as an American-style corporate empire hellbent on consuming the entire universe. Raimondo writes:
As the US rampages across the globe, imposing its will, one can easily imagine how we’ll act once we get to outer space – without going to see “Avatar.” Just as the logic of a foreign policy based on US military, political, and cultural supremacy has led us to invade and occupy large portions of the earth, so the same mentality will inevitably lead to interplanetary imperialism – which, first of all, will be about completing the conquest of our own planet.
As a science fiction author, I can't help but speculate. I already know what the alien menace is that Hawking's talking about. It's us in the future — or rather, the American Empire, long since become the Terran Empire, invading the past in order to conquer it — us, their ancestors — in their lust for universal conquest. Pandora is just one battle in the Empire's eternal crusade. For sooner or later the Empire's top weapons scientists will create a time machine. You've probably seen such a scenario in Star Trek: Generations, in which the Borg gets hold of a time machine and attempts to assimilate all the societies of the past, starting with contemporary Earth. In fact, it's one of the classic space epic plots.

Philip K. Dick, that most Gnostic of science fiction writers, notoriously claimed that "the Empire never ended": the Roman Empire never died; rather, its tyranny keeps taking new form — medieval Catholic Christendom, followed by the Spanish, British, and American Empires, to be succeeded by the New Chinese Empire, up to and including the Terran Empire, well into the 40,000th century of Warhammer. The brutal Bush-Obama invasion and colonization of the Middle East, he would say, vindicates him. And if a massive pirate armada comes from the future to treat its Terran ancestors the same way the Terrans treat Pandora and its natives in Avatar — that is, exactly the same way the Americans treated the Native Americans in the 19th and 20th centuries, and treat Middle Easterners today, and for the same reason: total domination and corporate profit at all costs — Dick wouldn't be the least bit surprised.

Back to The Space Helmet Show...

Sunday, April 25, 2010

Stephen Hawking, Evil Space Aliens, and Science Fiction

The article: Don’t talk to aliens, warns Stephen Hawking

According to the world's most famous astrophysicist, it may be a big mistake to actually try to communicate with extraterrestrial intelligences. Entire societies may be all but indistinguishable from our resource-extraction corporations, living in interstellar pirate ships and raiding every planet they can until they extract everything they can out of it and either leave it a hollowed-out shell or destroy it altogether.

Here's what how he himself describes it:
We only have to look at ourselves to see how intelligent life might develop into something we wouldn’t want to meet. I imagine they might exist in massive ships, having used up all the resources from their home planet. Such advanced aliens would perhaps become nomads, looking to conquer and colonise whatever planets they can reach.
You know science fiction authors are going to latch onto this scenario. In fact, it's been a staple of space opera for almost a century already.

Putting on my science-fiction author cap, here's some scenarios I could spin out o this:
  • It could be used as an allegory to warn against those similar societies right here on Earth, the resource extraction corporations.
  • The alien pirates could be Borg-like collectivist entities (in fact, the Borg itself is precisely such a scenario). Or the interstellar pirate ships themselves could be the hostile alien lifeforms.
  • Expanding a classic space opera scenario to epic scale, how about what a Hollywood producer would call "the Spanish Armada in space"? The largest navy in the world at that time, Spanish King Philip II's massive Spanish Armada, tried to conquer England and was defeated by the English flotilla of smuggling ships, or "privateers."
The list could go on. But Professor Hawking's point is cautionary, and applies equally well to societies here on earth, including of course the corporations and the governments they've owned for the past century or so. And my own upcoming novel Bad Company: A Corporate Terror Story is in part a Hawking scenario about one particular corporation (combining a Blackwater, a Halliburton, and a Corrections Corporation of America) which, outraged by the American people's "treason" in electing "some black guy" with vaguely reformist rhetoric as their "Great White Father," decides to overthrow the US government and replace it with itself. The scenario works as well for political thrillers (corporations) as it does for space epics (extraterrestrial pirates).

Saturday, April 24, 2010

Preoccupations (Script Frenzy Panic Time, etc.)

I don't seem to be able to do two WriMos at the same time. Case in point: last month (March). I tried to finish recording some songs for FAWM and edit my 2007 NaNoWriMo novel for NaNoEdMo, and the result was that I was completely unable to do either. This month, I found I was only able to start adapting that novel into a movie script for Script Frenzy when I abandoned all FAWM follow-up. There must be some kind of short circuit in my brain...

That short circuit may be hard-wired in. I have problems teaching myself two different subjects on the same day.

There's another problem I've got that keeps me from doing the things I want. I wrote an entry about that, in fact. It's called Social Media Is My Crack. With the sequel What Keeps Me on the Internet Way Too Late at Night. Either I spend way too much time on Twitter and FriendFeed, or I spend way too much time reading articles on the Web. Or, to word it differently, I procrastinate on Twitter and the Web.

Anyway, I've procrastinated enough. It's Panic Time now. I need to write 58 pages of movie script (adapting guess which '07 NaNoWriMo novel) if I want to win this year's Script Frenzy. And that means back to writing...

I'll add a blog-related postscript here. A couple days ago as of this writing, Facebook announced that you can put one of their "Like" buttons on any site of yours that you want. Posterous added it automatically; earlier, they added a "retweet" button to all their blogs so that you can "retweet" an entry onto Twitter. So I decided to add a "Like" button onto a couple of my Blogger blogs, including this one. Turns out I couldn't load my blogs after that. So I removed the "Like" buttons. You can still "retweet" my Blogger blogs, of course, at least when Tweetmeme isn't down. My suggestion to Google: Add the option to "Share" single blog posts, not just the entire blog. If the competition can swipe from Google, why can't Google swipe from the competition?

The Single Point of Vulnerability

The article: BBC News - Facebook's bid to rule the web as it goes social

There's something going wrong with Web 2.0. It's becoming so consolidated into a few players, especially Google and Facebook, that eventually one hack attack will take down the entire Web just by taking out one company. This is known to hackers and security professionals as a single point of vulnerability.

I posted these earlier entries on Facebook's F8 conference and what's been coming out of it: "Hope You Like This" (on Posterous' new Facebook Like button) and "All Your Interwebz Are Belong To Us" (on, well, Facebook's ambition). My next one after this will be on the "giant monster battle" now going on between Google and Facebook, with Microsoft and Apple waiting in the wings.

Web 2.0 has had the effect of rapidly consolidating the Web into a few companies, perhaps soon to be one — whether Google or Facebook or some other player, we don't know yet. But this return to the bad old days of AOL is structural. Web 1.0 had the opposite effect: it was a decentralizing technology that, in its most developed form (Napster), began destroying an entire sector of the old media. Economically, consolidation into a monopoly is not a good thing. It ultimately leads to stifling stagnation, which is one big reason why I don't like corporatism (the other, of course, being that under corporatism, corporations gain police power and start oppressing the masses). In terms of security, one company in control of the entire Internet becomes the irresistible target, the single point of vulnerability, like the Death Star with its vulnerable exhaust port that every Rebel fighter just has to sink its torpedo into.

I hope Web 3.0, when it's finally implemented, reverses the current centralizing trend like Web 1.0, and thus reduces once again the temptation of one dominant player to seize power. Some are saying that Facebook is about to "jump the shark" like MySpace did. But MySpace did so by selling out to the clueless old media company News Corporation. Facebook looks like it's trying to replace the Web entirely, making itself the irresistible target for Chinese and Russian cyberwarriors and Facebook-hating anarcho-hackers.

It's like the old Chinese curse: we live in interesting times...

Friday, February 5, 2010

Writer's Block Strikes Again...

I posted a few comments on the forums at JanNoWriMo — and then I proceeded to not even touch my computer at all until January was over. Why? Writer's block does that to me. Whenever I get blocked, my mind goes into the equivalent of fetal position. I sit in my living room recliner and think random thoughts that have nothing to do with whatever I'm supposed to be doing — or sometimes, like last month, I obsess over what I can't do. Which, in my case, was write enough notes for my '07 NaNoWriMo novel Bad Company that it actually (and finally) developed a coherent plot. Maybe I might even write some of it before NaNoEdMo...

What does it mean when I get writer's block? I don't touch the computer at all. Or any of my video games (Atari, Sega, PlayStation, etc.). I don't do any actual work on what I'm blocked on, even though I'm sometimes completely obsessed with it and even write notes on it in longhand, for whatever good that does me.

Anyway, my latest bout of writer's block is over and done with. Good thing I wasn't blocked for 4 straight months, like when I burned out on the first day of AugNoWriMo '08 and nearly lost NaNoWriMo that year (and even though I did win NaNo '08, the novel was completely unusable)...

Tuesday, December 22, 2009

Reading: Nation of Rebels (a.k.a. The Rebel Sell) by Joseph Heath and Andrew Potter

Counterculture claims to be revolutionary by its very nature. In fact, it claims to be revolution, especially after the collapse of Communism, which is supposed to have killed Karl Marx dead. However, Joseph Heath and Andrew Potter claim in Nation of Rebels: Why Counterculture Became Consumer Culture (original title: The Rebel Sell: Why The Culture Can't Be Jammed), not only has counterculture not brought down the system, it has only strengthened it. Even the most furious efforts by the "culture jammers" led by Kalle Lasn and Adbusters magazine can't make a dent against the corporate system, precisely because countercultural "revolutionary" deviance is so profitable. What's the single strongest force driving the explosion of consumer capitalism since that fateful decade, the 1960s? Nothing else but counterculture. As culture jamming is a purely countercultural strategy, it therefore cannot work.

There's a fatal flaw undermining counterculture's effectiveness: it conflates deviance with dissent. The problem is that deviance and dissent are two completely different things. Most deviants, in fact, don't dissent; they're too busy being deviant, and political things bore them. Dissent threatens authoritarian systems, which is why dictators suppress it so ruthlessly (as in the case of the election-stealing theocrats of Iran). Deviance only threatens the accepted morality, or threatens the system only as mere criminality; but if there's little morality left to be accepted, as in the postmodern West, deviance loses its power to shake the system or even shock. And that's why counterculture fails whenever it tries to be revolutionary. Instead, it has become the ultimate consumerist cash cow. Deviance may not be able to bring down oppressive systems, but it sure is interesting enough to sell lots of units. The book's original title is The Rebel Sell for a reason.

Thursday, December 10, 2009

Reading: Welcome to the Urban Revolution, by Jeb Brugmann

There's a medieval German proverb, "Stadtluft macht frei," which means "City air makes free." The city has always been the alchemical cauldron of human society, the great laboratory of human evolution, the birthplace and home of freedom itself. Now I've found a book, Welcome to the Urban Revolution by Jeb Brugmann, which explains exactly how and why the urban form's changing the human and even natural world. What's more, he even goes so far as to say that the world's cities are coalescing into a network strong enough that we can call it a single World City.

So what makes the urban form so inherently revolutionary? It's a simple matter of the mathematics of human association. In a hunter-gatherer tribe or agricultural village or small town, there's a limited number of people one can associate with. Society is tightly knit and highly conformist. The classic village or small town is notorious for its surveillance networks of town gossips. Social control is much easier in a society where most people are peasants and herdsmen. That's why an agricultural society almost always takes the political form of an absolute monarchy with a feudal hierarchy. This is the traditional form of civilization.

A large city is different. The modern city, which grew out of the medieval city republics modelled on ancient democratic Athens, was built by merchants out of trading posts. The larger and denser it is, the more potential associations a person can have. The more personal associations are possible, the greater diversity and dynamism the city generates. That's why in a capitalist and/or industrial society, the city is always the engine of the economy. Plus, the multiplication of association networks produces a levelling force that, even though capitalism has produced a neofeudal corporatist aristocracy of merchant princes and robber barons, makes the modern city an especially friendly environment for a democratic politics. The inevitable democracy of the city, as Brugmann calls it, makes it extremely difficult for tyrants to hold onto absolute power. For in urban politics as in capitalist economics, as Marx said, "all that is solid melts into air." Modern cities have always had a revolutionary effect on the societies they come to dominate, and all too frequently, whenever social evolution comes up against various forms of institutional stasis up to and including outright despotism, actual revolutions are the result and governments are overthrown. Brugmann gives as examples the fall of the Soviet Union and the Shah of Iran. The nominally Marxist overlords of the absolutist Soviet Empire found that out too late: once they had modernized and urbanized their countries, they found they had created a kind of democratic Frankenstein's monster that destroyed them.

And now the cities of the world, especially the Third World, are growing so large and dense so quickly that the "Great Migration" from the countryside to the cities is fundamentally transforming not only the nature of civilization itself, but even the natural environment planetwide. Though the world is currently organized into nation-states originating in the absolute monarchies that sprang up during the late Middle Ages, both economy and society are now organizing themselves by city regions and networks of cities. The city, not the obsolete nation-state and the international institutions (e.g., the United Nations, the World Bank, the World Trade Organization) built around it, is the fundamental unit of global civilization today. Sooner or later, the nation-state will have to go, and international institutions will have to become or be made interurban.

Which leads to the major consequence to the urbanization of the entire human race that not many people foresaw, and that's the consolidation of the cities of the world into a World City. The Cosmopolis has usually been dismissed as the pie-in-the-sky ideal of an ancient Greek philosopher named Isocrates. But the industrial and information revolutions have produced a corresponding urban revolution so huge and all-transforming that Isocrates' vision of the World City is finally becoming our reality.

But this has its own problems. For one thing, world industrialism is producing such a mountain of waste that it threatens to destroy the global ecology. Another problem is economic and has to do with urban development: with the recent global economic boom, many countries have simply imported a commoditized urban form, the American suburban "edge city", that is merely plopped right down in place without any care for the surrounding urban context. In many countries, this process (misnamed "urban renewal" in the US) requires massive "slum clearance" and relocations, which tends to cause huge riots. This happens all the time in China, for example.

Marshall McLuhan famously spoke of the "global village." He was only half right. For that matter, the neoliberal globalists are also half wrong. They thought that global capitalism was sufficient to unite the world. The spoke of the world market. What is actually emerging as the true face of globalization is the unification of all the world's civilizations into a single World City, in which every city is a neighborhood and every city region or network is a district. The world is becoming a single city, with all the consequences that entails. This really is a new stage of history. It is, well, revolutionary.

Testing A Heavily Extended Chrome Browser

It's official: Google's Chrome Extensions gallery is now officially open! But even before that, the instant I downloaded the latest developer version of Chrome, I went straight to Chrome Extensions, an unofficial extensions gallery, to load up on extensions. I'm posting this using an official Google extension from the official extensions gallery, called Blog This! Now all I need is a few more of my favorite extensions to appear, and bye-bye Firefox.

The problem with Firefox is that it's gotten bloated, memory-heavy, and processor-intensive over the years. When you load up on extensions, it takes forever to start. I'm the type of person who must must must! pack my web browser with extensions and plugins. Firefox has great extensions, but a heavily extended Firefox has performance issues.

Now the official Chrome extension gallery is officially open. Sure enough, I'm loaded up on extensions. Some of my holdover favorites include IE Tab, StumbleUpon, and WOT, and surely more are coming. The great thing is that they don't slow Chrome down. Maybe it loads a bit slower, but nowhere near as slow as Firefox. Soon enough, I won't need Firefox anymore. I don't use IE itself except for Windows Update (and in IE Tab, in both Firefox and Chrome).

Now I'm waiting for Google to add just one more thing, and that's the "purge memory" button, and I'll be happy...

Wednesday, October 21, 2009

Hoax Week On Twitter!

One thing I like about Twitter is that it allows me to get the news in real time. Well, the other day, the news was of a balloon that escaped apparently with a child on board. The boy, who became known as "Balloon Boy", turned out to be hiding in a box in the attic. Then it all turned out to be a hoax. The hoaxer was the father, a narcissistic attention whore obsessed with reality television, a misogynist who became a star of the reality TV series Wife Swap, who wanted to become famous before the world ends in 2012. Now "RIP Kanye West" is trending, and it turns out to be another fake celebrity death prank courtesy those pranksters at 4chan.

This is starting to get annoying.

Face it. Twitter's trends can be gamed. 4chan proved it when they put the hashtag #gorillapenis among the top trending topics. The Kanye West death hoax is far from the first to deceive people this year; this last summer, Rick Astley and Jeff Goldblum were allegedly dead. This time, 4chan merely pranked the Internet, specifically Twitter and Google. But Richard Heene pulled his hoax on the cops, the National Guard, the news media (especially the cable news networks), the Internet — indeed, the whole world — just because he wanted to fulfill his mad desire to become famous before the world ends.

Those 4chan guys pull their pranks for the "lulz". But the "Balloon Boy Incident" is what happens when the desire for fame becomes all-consuming and destroys one's sanity. Richard Heene is so obsessed with becoming a celebrity that he's willing to risk his family's lives, and in fact he even has a history of violence. In fact, I nominate him as worst celebrity parent in the world.

As for the 4chan guys: Some guy obsessed with becoming a reality TV celebrity outpranked them. And he didn't do it for mere "lulz"; he did it because he was driven by a monster ego. How can they possibly outdo him? Of course, they couldn't resist inserting themselves into the Balloon Boy hoax and pranking Heene himself; they even delivered pizza! Already I can see a bunch of pranksters, their own egos offended by being outdone by some celebrity wannabe, plotting their biggest prank ever in the chatrooms of /b/...

Heene won't be the last celebrity-mad egomaniac who will pull a fast one on the authorities and the media for the sake of fame. In fact, this might only be the beginning of a trend. Celebrity death hoaxes are starting to look mundane in comparison, though you and I know people will do them as long as there's celebrities.

Of course I'm waiting for the next hoax to trend #1 on Twitter. Stay tuned...

Friday, October 16, 2009

I Don't Tweet My Rants, I Blog Them: A Blogger Rants About Ranting

In the past few days I've seen some people on Twitter tweet some long rants. Now, I write long rants too. (This is probably one of my shorter ones, just so you know.) But I don't tweet them. Taking up several tweets just for one rant is simply not my way. But then, I'm a blogger, and they're probably not. Since I'm a blogger, I blog my rants. I want my readers to read each rant in one gulp. Then, about 12 hours apart, I have FriendFeed and TwitterFeed tweet the title and the link. I'd rather do this than risk "Twitter jail".

Consider this something of a "meta-rant".

I like to rant. I try to keep it under control, and I don't think I've truly overstepped any boundaries yet, though I suspect my current obscurity may be the only reason I haven't stepped on anybody's brittle egos yet. I love controversies, and sometimes I throw myself into some.

Twitter is great for getting oneself into the middle of a controversial issue in real time. Take the case of a certain now-infamous British Enron clone called Trafigura, already in trouble for dumping toxic waste in poor African countries, which got into some extra deep doo-doo the other day thanks to its law firm, Carter-Ruck, which managed to slap a total ban, or super injunction, on covering Parliament against the media. Sure enough, it backfired: Twitter went berserk; thanks to something called the Streisand Effect, Trafigura is now as infamous as Enron itself, and the already notorious Carter-Ruck have earned themselves a new level of well-deserved infamy. When I found the terms "Trafigura" and "Carter-Ruck" appearing in my Twitter stream attached to tweets denouncing censorship, and then trending among Twitter's top search terms, I knew at once that I had to get involved. Here's my blog post on the scandal (in my project blog, interestingly), and my 140-character summary.

But for long rants, Twitter just won't cut it. Being the blogger type I am, I prefer you down my whole rant in one gulp. So that's why I don't tweet my rants like the non-blogger tweeps do. I blog them.

End of meta-rant. ;)

Saturday, October 3, 2009

50 Songs In 90 Days is over, and my muse got out of her coma just in time...

#5090
October 1 was the last day of 50 Songs in 90 Days. The previous day, I discovered that I'd forgotten most of the songs I'd started writing for 50/90. Some of them were in the directory I'd set up just for this year's 50/90; others were on sheets of paper hidden somewhere. All of them, of course, were unfinished: either tunes without lyrics or lyrics without tunes. I found them and posted them just in time. I'm finishing them now. Once I get all the lyrics composed, I'll start recording the demos so there will be actual songs to hear.

My 50/90 profile is here. If you're registered at 50/90 or FAWM, you can even leave comments. And I still have a lot of "zongs" (songs without comments) left to "bust"...